Comedy clipping that fills the room.

Comedy clipping is a done-for-you service that cuts a comedian's sets, specials, crowd work, sketches and podcast episodes into short native clips for TikTok, YouTube Shorts, Instagram Reels, Facebook and X, then distributes them with credit so new people find the comic and the dates. It combines editing and distribution. An AI clip maker only finds moments, and a fan page only takes them.

Not if you choose what travels. We clip two tracks: the written set and the crowd work. Before a special, most comics run the crowd-work track and a few cleared bits, and keep the closer and the new hour out of the feed. You approve every clip before the wave, and nothing you flag is ever cut.

Yes, and it is usually the strongest track for discovery. Crowd work is new every night, burns nothing from the hour and shows the thing a feed cannot fake: a comic thinking on their feet. We cut the exchange tight, keep the room's reaction in and end on your handle and your next cities.

Between 15 and 40, depending on length and format. A taped hour yields more than a fifteen-minute club spot, and crowd-work nights yield more than a tight written set. We would rather ship 20 strong clips than 40 filler ones. After the first breakdown we tell you the realistic range for your material.

TikTok and YouTube Shorts for discovery, where a punchline in the first two seconds finds people who have never heard of you. Instagram Reels for sharing, the clips that get sent in group chats. Facebook for older audiences and local groups near your tour stops. X for the one line that becomes a quote post. Each gets its own cut.

Your material is yours, and you own every clip we deliver, to reuse anywhere. The recording may not be: a special taped by a network or a set filmed by a club can carry their rights. We check who owns the footage before the wave, clip only what is cleared, and flag anything that is not. Music under a bit is cut or cleared.

We cannot police the internet, and we do not promise takedowns. What we do is make the credited version the one that travels first: your name on every clip, posted by clippers we review, timed to your release before a fan page gets to it. When your version is already everywhere, the repost adds reach instead of stealing it.

Yes, when the clip points to the dates and reaches the right city. Every clip and caption carries your handle, your next cities and where to buy, so a follower in that town can act. We report verified views per post and read the lift in followers and ticket clicks around each tour leg with you. We do not publish a number we cannot prove.

It depends on how often you record, what you are willing to clip and the reach you want. The market runs three models, CPM, per clip and monthly, explained with ranges in the pricing section above. We quote a flat creation fee per campaign plus a distribution budget with a verified CPM, in writing, before anything is cut.

Yes. A comedy podcast runs on the same process as our podcast clipping: the riff, the story and the guest losing it become clips that send listeners to the full episode. Sketch channels get the one beat that works without context and a cover frame that sells the premise. Both tracks apply, written and unscripted.

First clips are cut within two business days of receiving the recording. The distribution wave starts once you approve the cut and runs over the following days. For a special release or a big announcement, we cut ahead from the material you clear and offer same-day clipping so the clip rides the conversation while it is live.

A link to one recording: a set, a special, a podcast episode or a sketch, plus what you want more of: followers, listeners or seats in specific cities. Within one business day you get a breakdown of the recording, the bits we would clip, the clippers we would match and a quote. No access to your accounts is required.